Friday, December 30, 2022

Searching for comics in Portsmouth, 1970s style - Part Five

 By Ian Baker and Nigel Brown

 

© Google Maps. The final sections of the route

Do you remember when collecting comics was all about the content, not the condition of the book? Just getting a new story was satisfaction enough, and second-hand shops were the place in the early seventies to find those gems from the days of early Marvels and Silver Age DCs. I was reminded of that experience earlier this week when I visited my local Half-Price books and saw decent copies of  FF #73, FF #87 and FF #32 for sale at a combined total of $14!   You
can go home again!

 

The last four stops on this epic 5-part series recalling cycle-rides around Portsmouth in the early 1970s are all second-hand shops that figured large in our travels. They were further north on Portsea Island from Southsea, but that was nothing to teenage lads with Carlton Corsa racing bikes and school haversacks ready to carry the goods.

 

We take up our journey traveling north from Arundel Street (see previous episode) towards Buckland......

 

Stop #25 - Second-hand Shop just inside Church Rd, off St.John’s Road

 

Even St.John’s Road in that part of Portsmouth hasn’t survived the residential redevelopment since the 1970s. I think it was somewhere around where Glidden Close is today, just south of St.John’s Cathedral Catholic Primary School.


© Google. Area highlighted is where shop was located.

 
© DC. The actual GL/GA #76


©DC. Forever People #1


“It was a dreadful dump, mentioned in that article ‘Memories Are Made Of This’ by Dave Jackson in Comics Unlimited # 33. Demolished since then. That whole area’s been redeveloped a long time now, but in those days there were rows of terraced houses, and a small parade of shops. That was where I got a Forever People # 1, and a GL/GA #76 for 1p each. A few years later I showed the GL/GA to my friend Neil when he came round one day to see my comic collection. I offered it to him for £5. He really wanted it, but his mum wouldn’t pay out!” – Nigel 

 

 

 

Stop #26 - Second-hand Shop at the end of Lake Road, part of a small row, close to the corner opposite Constad Jewellers, near to St.Mary’s Church in Fratton

 

The route of Lake Road was re-aligned in the late 1970s, but in our comic collecting days it joined Kingston Road at the Tramway Arms. The second-hand shop was on the south side of the road, across Kingston Rd from Hampshire Street.

 

©DC. Flash #113 - a opportunity passed up

“I remember they had junk furniture sticking out into the street. The place never looked very promising but once – significantly – they had a small collection of very early 1960s Flash comics for sale that I hadn’t seen elsewhere (and not again until at the London comic marts). Issues like Flash # 113.” – Nigel 

 


Stop #27 - Gibbs – New Road, Fratton/Copnor boundary, between Burleigh Road and Langford Road

 

©Google. Row of shops where Gibbs used to be

“Another second-hand shop Geoff introduced us to. My memory is that it was run by a Mrs. Gibbs (“Ma Gibbs” as she was known locally in Copnor) who had books and magazines and comics in piles around the shop, frequently with one or more of her many cats sitting on the papers. The place smelled of cat, or cat food. 

The shop had a yellow front with one of those dog mannequins outside with a slot for donations for animal welfare. It has been said that once her bills were paid, Mrs Gibbs gave all the remainder to the RSPCA.

It did turn out to be a good place to get old Bantam Doc Savage paperbacks. I picked up copies of both Doc Savage paperbacks #14 and #22 there in April 1976.” – Ian

 

“This was an old favourite, and often reliable, run by an older lady, a slightly less caustic version of Ena Sharples, I always thought. The shop had a striking yellow frontage.” – Nigel 

 

Stop #28 - Second-hand Shop on corner of Knox Rd and Stamshaw Road, close to Angerstein Road


©Google. Location of 2nd hand shop corner of Knox Rd and Stamshaw Rd. Another residential conversion


©DC. Ian picked up a very scruffy version of Batman #213 - I think it was coverless.

©Marvel. Another gem picked up at Knox Rd - Ian's earliest Conan (at that time).


“We have Geoff (Cousins) to thank for identifying this shop. They had a pile of very early 60s comics, rough condition. Plus Doc Savage paperbacks. I remember getting an early Conan here (Conan #5). Also a very tatty copy of Batman Giant #213. My overriding memory  is that the place had a stale odour.” – Ian

“This shop was a bit of a cycle ride, up in North End. Perhaps it was the first time I went there, but I remember there were a particularly nice pile of American comics for sale. After that, I always anticipated a good haul of comics and most visits didn’t disappoint. The comics pile was along the side of the shop, close to the window. I recall the owner was a little dumpy lady, with short black hair.

“Once I passed on a Teen Titans comic because there was no number on the cover. It was Teen Titans #1.”  – Nigel


“I remember going to a shop on the corner of Knox Rd & Stamshaw Rd, buying D C & Marvel comics, return when read take back & swop with a penny to get another. Being a geek. Great .” Wayne Johnson from FB “Memories of Bygone Portsmouth”

 

 

Our knowledge of the North-East area of Portsmouth was mostly due to the familiarity our pal Geoff Cousins had of the area, having grown up in Copnor. And so our final stop - Stop #29 , if Geoff was accompanying us on our travels, was a corner newsagent in Tangier Rd, close to Geoff's Nan's house where a glass of orange squash might be waiting.

 

  

*****************************************

 

Nigel Brown writes:


About ten years after those halcyon days, my research for our fanzine SuperStuff No.11 (Aug.1984) took me back around the streets of Portsmouth and Southsea. I reported:

 

            ‘Of the second-hand shops we haunted, on a recent trip I was only able to find two that possibly had some comics for sale. In one, a shop, in Angerstein Road where they always had sixty to seventy comics in a pile in the corner, I was told, “I can’t get them for love nor money.” In the other, Gibb’s in New Road, I was shown a mangy pile of Charltons and a few badly damaged Marvels (last months, I think!). Oh yes, and a copy of Detective Comics No.426 (1972) that wasn’t even in good enough condition to buy at 6 pence. These were the only two second-hand shops, of the ones we used to visit that I could find at all! Some, like the old Book Exchange have been knocked down to make way for a rubbish tip, and some, like a smelly old place in Arundel street that was always good for 1960 to 1964 DCs have been boarded up and lie derelict.’

            By now, in 2022, charity shops have replaced those private enterprises in the ecosystem of the high street. In some cases, a second-hand shop’s position in a residential area has encouraged a re-conversion back into a residential dwelling (eg. The Book Exchange in Devonshire Avenue). 

            I think, too, that the move of American comics from the easily available newsstands into specialist direct-sale shops has cut off the supply of old comics to charity/second-hand shops. That, together with the now-common perception amongst the public that old comics are ‘worth money’, leading to preferred sales through eBay, or to comic dealers, means that even the charity shops are unlikely to stock old comics.

 

********************************************

 

Well, that about wraps up our memories of newsagents and second-hand shops in Portsmouth in the early to mid 1970s.  Interestingly, in all of our travels on the Comic Hunt I do not recall ever crossing paths with other collectors, which in retrospect seems strange on an island city of a quarter of a million people. Certainly there was enough comic content available to satisfy the demands of scores of teenage schoolboys. The letters pages of fanzine Fantasy Unlimited (later Comics Unlimited) revealed the names Dave Jackson and Bernard Smith as avid Portsmouth-based fans in those mid-70s days, who frequented the very same haunts, but we have yet to meet them. Hopefully some of them will see this blog entry and raise their heads above the parapet in the comments section below.

 

Of course, collecting comics in Portsmouth didn’t end then! Look out for the next in this series:

 

‘Beyond the Bronze Age (early 1980s to the present day)’

 

 



Thursday, December 22, 2022

Happy Festive Period!

 

©DC and Marvel. Artwork by Michael Cho

Thanks to everyone who dropped by and commented this past year from the SuperStuff blog team! 

With a good following wind we should be able to close out the year with one more post, the final stage of reminisces of cycling around Portsmouth comic shops in the 1970s, so watch out for that one.

A single Christmas quiz re the image at the top of this blog post (drawn by Michael Cho)....what is incorrect about it? Answers in the comments section please.

And now.....off to start shoveling the snow....



Wednesday, December 14, 2022

The Book That Never Was - DC Universe Illustrated by Neal Adams - Vol 2

 by Ian Baker

©DC. Advance image of cover for Volume Two.

Back on January 13th, 2009, DC published what was to be the first of a series of three trade hardbacks (and paperbacks) of collected comic stories drawn by Neal Adams, bringing together his DC work beyond the realm of Batman, Green Lantern/Green Arrow and Deadman, which had already been reprinted as collections on multiple occasions 

The previous hardcover collections of Adams' work on Batman had been very successful, and so the decision was taken to curate three more volumes that would bring to light Adams' lesser known work on War, Horror, Western and Humour comics at National, dating from Adams first work for the company in 1967. Adams would re-colour the selected stories, as he had done (somewhat controversially) on the Batman volumes since their first publication in October 2003.

The first volume of DC Universe Illustrated by Neal Adams contained a mixture of war stories from Our Army At War and Star-Spangled War Stories, along with a few Super-Hero tales in the form of Teen Titans, Superman and Elongated Man. [Note: the list of stories on MikesAmazingWorld.com is incorrect]. The package was topped off with some sketches and public service ads to pad out the Superhero material in the book. No covers were reproduced, though, which I found to be a disappointment. The new cover drawn by Adams in 2009 focused solely on the Superhero content of the book, and is not one of my favourites. It went through at least one rejected iteration before the final cover of the first printing was agreed.The imagery is somewhat humourous, at odds with the war story content within. A subsequent printing of the book replaced the cover with an image of the Justice League, harvested from a Dollar comic - DC Summer Special 1977.

©DC. Unused Cover for Volume One. From Albert Moy website

©DC Final cover for Volume One


©DC. Second Print Cover of Volume One. Taken from DC Summer Special 1977
In discussion with Neal Adams at the New York Comic Con nine months later in October 2009 (see Superstuff blog Meeting Neal Adams), he mentioned to me that work was underway on the project to "collect together all the old crap" including early covers. He expressed dissatisfaction with the technical proficiency of some of his early work (although it all looks brilliant to me), and in his introduction to volume one he mentions "the quirky and terrible job" he did on the Elongated Man story in Detective #369. These books were an opportunity to rectify past illustrative mistakes (in his eyes), plus re-ink stories if needed.

The first volume of DC Universe Illustrated by Neal Adams sold respectably, but it was decided to put Volume Two on hold for a while. The second volume would focus on Adams' work on Supernatural hero material ; the proposed cover as shown in solicitations (see top of blog) highlights the Spectre, Phantom Stranger and El Diablo (a supernatural anti-hero with a Western slant). Work got underway, and an announcement was made in the trade press that the hardcover version of Volume Two would contain 192 pages, to be published on November 6th, 2012. An ISBN number was secured for the publication - 9781401225186 (ISBN10: 1401225187).

Somewhere along the line, the decision was made not to publish the book after all; perhaps sales projections were low, or perhaps Adams had not progressed sufficiently on re-colouring the stories. Which is a shame, as the proposed stories contained some of his very best work.

The proposed contents and running order of the book have not been made public, but a bit of analysis and educated guesswork leads me to suggest the following items. Certainly the proposed cover confirms stories about The Spectre, Phantom Stranger and El Diablo (from Weird Western Tales), composed of a collage of interior images from Spectre #5, Phantom Stranger #4 and Weird Western Tales #13.

Here is my suggested contents list:
  • Assume 9 pages for introductions and forewords, mirroring the layout of Volume One - (Volume One story reprints start on page 10 (so 9 before)
  • Spectre #2 - "DIE SPECTRE--AGAIN!" (Story: Gardner Fox) 23pgs plus cover
  • Spectre #3 - "Hang 'Em Up Wildcat - You're Finished!"  (Story & Art: Neal Adams) 24 pgs plus cover
  • Spectre #4 - "Stop That Kid..Before He Wrecks The World!" (Story & Art: Neal Adams) 23 page plus cover
  • Spectre #5 - "The Spectre Means Death?" (Story & Art: Neal Adams) 22 pages plus cover
  • Phantom Stranger #4 - "The Dead Don't Sleep Forever" (Writer: Bob Kanigher, Pencils: Neal Adams, Inks: Bill Draut)  23 pages plus cover
  • Weird Western Tales #12 - "A Time To Die" (Writer: Cary Bates, Pencils: Neal Adams, Inks: Berni Wrightson) 4 pages 
  • Weird Western Tales #13 - "Night of the Living Dead" (Writer: Cary Bates, Art: Neal Adams) 11 pages
  • Weird Western Tales #15 - "Never Kill A Demon" (Writer: Cary Bates, Art: Neal Adams) 12 pages plus cover  
  • Biographies of writers and inkers (3 pages)

The material above would cover 160 pages (or 154 pages if Adams' covers were not included). That leaves 38 pages to fill in Volume Two. 

If we assume that the theme of the future bumper final Volume Three would be "Humour and Horror", to include the Bob Hope & Jerry Lewis comics (186 pages) plus 90 pages worth from the titles House of Mystery, House of Secrets, Witching Hour, Secrets of Sinister House, that leaves these oddities for inclusion in Volume Two:
  • Superman #249 'The Origin of Terra-Man'  7 pages
  • Weird War Tales #8 'Thou Shalt Not Kill' 7 pages  (Adams inks on Crusty Bunkers' penciler Steve Harper) - unlikely inclusion - 
  • Action Comics #425 'Human Target:The Short-Walk-to-Disaster Contract' 6 pages
  • Hot Wheels #6 'The Humbug Run' - 14 pages
These add up to 34 additional pages (excluding Adams' cover to Weird War Tales #8). Alternatively, these four stories could be held over for Volume Three and replaced with the covers that Adams did for The Spectre and Phantom Stranger, all of which were absolute crackers.

The Spectre issues


The Spectre stories as drawn (and mostly written) by Adams are uniformly excellent. [ For an in-depth commentary on those issues, I refer you to Part One of Nigel Brown's article "The Spectre 1966-1975" as published long ago in SuperStuff #6 (Mar 21st 1976).]

©DC. Spectre #2 cover (courtesy of HotComics.net).

Issue #2 (above) contains a story by Gardner Fox with art by Adams. Great artwork, but uninteresting story. Adams really hit his stride with #3 (below), writing and drawing, bringing back Wildcat as the main protagonist, and really pushing the envelope of inventiveness on the artwork, incorporating collages, perhaps inspired by Jack Kirby.

©DC Spectre #3.

©DC. Interesting use of collage by Adams

Issue Spectre #4 hits the high point of the run with "Stop That Kid...Before He Wrecks The World!", again story and art by Adams.

©DC. Spectre #4

©DC. Sample page from Spectre #4. Such detail and care and dynamism.

With issue #5, Adams' last Spectre book, he intrigues us with a prologue that has later echoes of Batman's time in snow-clad Nanda Parbat, as well as treats us to what may have been Adams first double-page spread in a DC comic!

©DC. Spectre #5 - the template for the aborted TPB Volume Two

©DC Spectre #5 - the intriguing prologue

©DC. Double page-spread in an off-kilter angle city street style that Adams would return to a number of times in subsequent comics

Phantom Stranger

©DC. Phantom Stranger #4

©DC. Love the detail of the city skyline plus the up-angle and sky colouring of the bottom panel.
The Phantom Stranger #4 story is the sole time that Adams tackled the character in an interior story (despite drawing the covers for every issue from #3 to #19) , in a story featuring both the Stranger and Dr Thirteen.  I loved it.  The Stranger is much more of a protagonist than an observer. Adams set the artistic bar for the book so high following the workmanlike work of Bill Draut, that it was only when Jim Aparo took the artistic reins on the interiors with issue #7 that the book regained its stride.

El Diablo - Weird Western Tales


The three El Diablo stories contain some of Adams best work of the 70s...the detail is amazing and rivals the best of Green Lantern/Green Arrow and Batman in this period. Was this only time that Adams and Berni Wrightson collaborated?

©DC, Weird Western Tales #12. Adams & Wrightson

©DC. Weird Western Tales #13. Pencils, Inking and Colours by Adams.

©DC. Weird Western Tales #15. The only El Diablo cover by Adams.


If by some chance Volume Two was published, or someone had an advance copy, I'd love to know the final content.

Saturday, December 10, 2022

Look-In jumps on the Kung Fu bandwagon



by Ian Baker

In the immortal words of Jamaica-born Northern Soul songster Carl Douglas “Everybody was Kung Fu Fighting”. But that was back in 1974. Three years earlier  in 1971 no-one had heard of Kung Fu outside of martial arts aficionados.  Karate, yes. Judo, yes. Jiu-Jitsu, maybe. Kung Fu, no.


By 1972, Bruce Lee had broken through the Asian leading-man movie star barrier with the UK “X” rated films The Big Boss and Fist of Fury, but it wasn’t until a very wet Friday¹ on Sept 21 1973 that Kung Fu went family-mainstream in the UK, with Kwai Chang Caine scarring his forearms with dragon motifs and falling into some snow on a weekly basis. 


I’d already become somewhat familiar with martial arts on TV through Bruce Lee’s appearances on UK ITV in the drama series Longstreet since Jan 1973, but somehow I missed seeing that first pilot Kung Fu shown on ITV. But following Nigel Brown’s rave review in school the following morning (we went to school on Saturday mornings in those days), I made sure that I did not miss watching the first regular episode 'King of the Mountain' that evening.


We SuperStuff brethren (Nigel Brown , Geoff Cousins and myself) were soon caught up in the cultural zeitgeist, collecting trading cards (colloquially “Kungies”), TV tie-in paperbacks, and generally getting anything Kung-Fu related that we could lay our hands on. 


© Warner Paperback Library. Book #1 of 4. TV Tie-In

© WB Television. Topps trading card

It all peaked so quickly. 


By 1975, things were slowing down with the cancellation of the Kung Fu TV series, and by the end of the decade, Kung Fu was a fad of the past, assigned to the dustbin of popular culture and recent memory along with David Soul, Kojak and the Bay City Rollers. Despite various TV movies that tried to revive the original show, and a syndicated sequel series that ran on a satellite channel for four years in the 90s, it never regained the popular cachet it briefly enjoyed.


Perhaps it was due to Roy Thomas’ reluctance to produce a Kung-Fu magazine at all that made Marvel pass on the rights for a TV show-related comic strip.   Roy details in the editorial of Planet of the Apes B&W magazine #1 how he almost let the rights to the Apes stories slip beyond Marvels grasp. He had little interest in licensing film and TV material.  In fact, it was not until Star Wars that Marvel took licensed characters seriously, although Gold Key had done it (not with any great success) for years producing short-run comics which presumably had to adhere to the TV shows story line, resulting in really limited episodic storytelling.


Nonetheless, it was in that 1973-1974 period that Marvel jumped on the Kung Fu bandwagon, with the ingenious idea of a new Kung Fu hero with a backstory linked to an existing property that had already been around for 50 years, that had already entered the popular vernacular, yet had never risen about its pulp origins or B-movie status - oriental villain Dr Fu Manchu and his stalwart British nemesis, Police Commissioner of Burma, Denis Nayland Smith. Thomas’ decision for Marvel to create its own Kung-Fu hero Shang-Chi, linked to established literary properties, would give the lead character a longevity that would be  denied to its TV counterpart. (The origins of Shang-Chi have been recounted elsewhere - even in our own SuperStuff #1 fanzine from 1974 - but for a good look at Marvel's approach, head over to Rip Jagger's Dojo blog. )


And so it was UK weekly teen magazine Look-In (published by ITV themselves) that secured the rights for a comic strip based on the TV series.  They made the decision very late in the day (six months after the show premiered on British TV) with Martin Asbury tapped to illustrate two pages per week. 

Look-In’s purpose in life was to promote interest in TV series being shown on ITV, and the timing of the appearance of the strip was presumably to shore up the teen viewership at a point when audiences had started to plateau.


© Look-In and WB. Martin Asbury draws the first strip, issue #9 Vol 1975

The first strip appeared in the 30th March 1974 edition of Look-In, and continued for sixty-nine weeks, making 138 pages in total. The great Mike Noble replaced Asbury for one story line commencing 22nd Feb 1975.


© Look-In and WB. A sample of Mike Noble's work 22nd Feb 1975

By an interesting co-incidence Marvel’s Shang-Chi made his appearance on the UK scene in Avengers Weekly #1 in the March 30th 1974 edition, exactly the same day as Kwai Chang Caine’s premiere in Look-In. Both of these comics were relatively late to the party, as ITV was already showing season two of the TV series at this point.


The TV series came to an end with Caine finding his half-brother Danny in the third season finale, which aired in the UK on June 15th 1975. Look-In ceased publication of the Kung-Fu strip rather abruptly that same week with issue #25 of the 1975 volume. Take a look at the final panels below and you may conclude that there was probably another part of the story yet to be published, or perhaps transition to the next Kung Fu story arc. 


The following week the Six Million-Dollar Man strip debuted.


©Look-In & WB. Final panels in strip end abruptly

There were still a handful of third season TV episodes remaining unshown in the UK, which were burned off late at night, out of sequence, in October 1975, with a final solitary episode in Jan 1976.  


I’m not aware if the Look-In Kung-Fu stories have been collected in any publication since. 


------------------------------------------------------------------------

¹ 

Manston, Kent recorded 6.67 inches of rain in 24hrs from 7pm 20th to 7pm 21st.


Tuesday, December 6, 2022

Edmond Hamilton, Science Fiction, and Superman


Edmond Hamilton at Nycon 3, Sept 1967. (Photoshop enhanced)

by Nigel Brown

If you have a leaky pipe, you get a plumber, and if you can’t drive, you use a taxi, and if you want to publish science fiction, you should use a professional science fiction writer.


Superman’s origin was set firmly within the science fiction genre, with his creators, Jerry Siegel and Joe Shuster, part of early science fiction fandom and steeped in the pulp magazines of that era. Superman editor Mort Weisinger also had deep roots in the world of science fiction. Together with future Superman editor Julie Schwartz, he founded the first literary agency specialising in science fiction and fantasy. Their first client was the science fiction writer Edmond Hamilton.


Hamilton later married film-script and science fiction writer Leigh Brackett, known for her excellent adventure stories, a talent she took to her work on the Star Wars sequel, The Empire Strikes Back.


He was amongst a number of science fiction writers (Manly Wade Wellman, Otto Binder, and Alfred Bester) that Weisinger employed after becoming an editor at DC comics. Weisinger knew that seasoned writers could be trusted to turn out accomplished comic book scripts.

 

Hamilton brought a strong science fiction element to his Superman stories that would add a sense of wonder, perhaps now lacking, after the first years of publication of Superman. Readers had gotten used to the idea that a man could fly, had super-strength and do all the other fantastic things that had made Superman such an initial hit.


An excellent example of this is the story Hamilton wrote for the landmark #300 issue of Action Comics (May 1963).

 

©DC. Cover of Action #300

The story, 'Superman Under the Red Sun' (with art by Al Plastino), is a classic meld of Superman mythos and the sort of science fiction that wouldn’t be out of place in a pulp magazine.


Stories about the post-human far future have been a theme in science fiction since its beginning. The Time Machine (1895) by H.G.Wells includes a location set ‘more than thirty million years hence, the huge red-hot dome of the sun… and the red beach… seemed lifeless.’ 


Other notable explorations of this subject have been William Hope Hodgson’s The Night Land (1912), and famed science fiction editor John W. Campbell’s story Twilight (Astounding Stories, Nov. 1934). 

 


Hamilton himself wrote a story ‘In the World’s Dusk’ (Weird Tales, March 1936), so it’s no surprise that he brought this idea to the Superman comic.

 

'Superman Under the Red Sun' is set so far into the Earth’s future that our sun has aged red, depriving Superman of his power to escape. The humans of this future, a million years hence, have all migrated to other worlds, abandoning Earth.

 

©DC. Action #300. The Last Man on Earth

The planet’s oceans have all dried up. This setting is described at the beginning of Hamilton’s story ‘In the World’s Dusk’: ‘… there lay the white salt desert that now covered the whole of earth… long ago the last seas had dried up and disappeared…


©DC. "In the World's Dusk". Action Comics #300

Superman finds a companion, a Perry White android, and then crosses an empty oceanic basin. He encounters a whale that has evolved legs again to cope with the changing conditions of this scientifically feasible future. In a small way, Hamilton’s work is an introduction to the concepts of biological and stellar evolution.


 

©DC. Land-Whale from Action Comics #300

 It makes for a thoughtful story, from which a young reader might take away more than just an afternoon’s light diversion.


No big space battles. No crowds of super-heroes and villains facing each other down at the ends, or beginnings, of multi-universes.


Sometimes less is more.

 

 

© Nigel Brown