Sunday, August 31, 2025

Batman in 'A Dandy in Aspic'

© Columbia / Sony pictures. Lionel Stander reads Batman #189


© DC Comics. Batman #189, cd Feb 1967

 Returning to the topic of how long it took DC comics in the 1960s and 1970s to arrive in British newsagents, I recently watched the sixties film A Dandy in Aspic, a spy yarn starring Laurence Harvey, filmed on location in London and Berlin.  In minute 25, we are treated to an image of actor Lionel Stander reading a copy of Batman #189 "Fright of the Scarecrow", cover date Feb 1967, while sat in a car in Cable Street) in London's East End), with St. Mary's Church, Johnson Street in the background. 

Now, according to Mike's, Batman #189 hit US stands on December 6th 1966. 

According to The Kinematograph Weekly, 25 February 1967, production on A Dandy in Aspic had just begun ‘on location in the East End of London.’   Other reports mention that production had moved to Docklands by 28th Feb for location work with Laurence Harvey, and all London location work was complete by April 9th 1967, before the production moved to Berlin. The crew was tied up with filming Mia Farrow's scenes in central London from March 25th onwards.

We cannot see if the comic Stander is holding has a T&P stamp, but as Stander was an American exile in Europe at this time, we can assume the comic was not a special import. 

Anyway, it would appear that Batman #189 was likely filmed around 25th Feb 1967 (81 days after US publication), but potentially as late as April 8th 1967 (123 days after US publication).    Based on the notes I made in the mid 1970s on when DC comics appeared on British spinner racks, the quickest I'd seen a comic turn up was 107 days after US publication (Superman #277), with a mean in the region of 145 days, with some late stragglers (Black Magic #1 at 247 days).

Even if the Batman comic in the movie was 123 days after publication, that would be very fast for a comic to arrive in the pre-containerization era.

Did any of you keep track of when specific DC comics arrived in our shops back in the sixties?

Sunday, August 3, 2025

Neal Adams - Western covers

 

© DC comics.

This past Sunday I decided to stop by the Chicago Toy Show, which runs every 4 months at the Kane County Fairgrounds. I’d never been before, so was interested to see what was on sale. Well, it was very crowded, with a lot of tables selling Funko Pops, and relatively few tables selling vintage toys from the sixties and seventies. Lots of original Hot Wheels car and sets. 

Amongst the tables there were a few comic dealers, and I spied a reading copy of Tomahawk #116 priced at $10. As it sports one of the very best covers that Neal Adams drew at DC - perhaps the only one at DC of his that has a painted background - I decided to buy it. 

It really is a striking cover. Reading the feedback on the issue as printed in the letters page of Tomahawk #118 reader reaction was extremely positive.  ………


A certain Tony Isabella from Cleveland, Ohio was full of praise:



I presume from editor Murray Boltinoff's comment that Jack Adler was the colourist and Carmine Infantino layouts.

Having stared at it, it came to me that the composition of the cover was not wholly unlike Adams’ later cover of Detective #412. 

© DC comics.


Adams himself was not above reusing popular cover layouts for books on other comics, as shown by this subsequent cover for Tomahawk #121 and Brave & Bold #85.  However, since Murray Boltinoff was editor on both books, he must have been okay with.


© DC comics.



© DC comics.


The cover for Tomahawk #116 was the first Western cover that Neal Adams did at DC, and he followed up with an excellent run of covers for Tomahawk which graced most issues from #116 to #130.

He subsequently drew covers for All Star Western #2 to #5 , Weird Western Tales #15 and of course the stunning cover of DC Special #6, one of my all-time favourites, shown below.

© DC comics.


Interesting that the only Western issues where Adams illustrated the interiors (AFAIK) were Weird Western Tales #12, #13 and #15.

I’d buy a book of Neal Adams covers, if one existed. That’s unlikely to happen, so I might try to create a digital PDF version for my own enjoyment.

Is anyone aware of other Western covers drawn by Adams?